October 2009 Archives

You Looking At Me?

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If I'm not at home or in the office, I'm on the South Bank. Or, at least, that's how it feels these days. Last weekend I did something I haven't done for years in London - I joined a queue of tourists. My friend was visiting with her two daughters so we went up in the London Eye. (And caught a bus to London Zoo, hence the gratuitous comedy photo of a llama.) Two days later, I was back on the South Bank to catch the lift to the sixth floor of the Royal Festival Hall for the members' bar, where I was joining three friends in a writers' group.

This was only my second sojourn with a writers' group. I've always avoided them. The idea of sharing my clunky, out-of-control work in progress makes me shudder. But I'm starting to see the point now. With agents and publishers, even friends, you don't want to show work in progress. As I've said, it's too shudder-inducing. But with other writers you trust - and I suspect this trust is all-important - you can hold your hands up and happily proclaim, 'I don't know what's happening here!', 'I have no idea what's going to happen next!' and 'Can you see how many times someone looks over their shoulder?' Your fellow writers kindly and gently ask pertinent questions, circle the 50 'so's you've used in one paragraph, play devil's advocate and make suggestions. It's both liberating and encouraging. Even from this, only my second meeting, I have found it so inspiring to see other people's texts blossom and hopefully mine too. We also get to gossip and drink wine. Does anyone else have positive experiences of writers' groups? Or less positive?

In other news, my agent has been in touch with feedback on my second draft. I'm just waiting for further comments from her assistant (an assistant! the luxury of an assistant!) and then it's nose to the grindstone for a third draft. There's still a lot of work to be done and interesting questions have been thrown up. I feel quite sanguine about this stage. I know I'll have to work hard, but that's okay. I'm used to hard work! And my mind has been turning over the ending, which is always a good sign.

This morning, I have the start of a cold and it's raining so that must mean I am duty-bound to stay indoors all day sewing, sewing, sewing. What a tragedy. I might even think about my novel whilst sewing. Or I might not.

NB Here's another photo that has nothing at all to do with my writing blog. It's me running the Cardiff Half Marathon earlier this month, with Cardiff Castle in the background. I don't look very fast, do I? That's because I'm not. I'm a plodder. But oh my goodness, us plodders get there in the end. (And no, I'm not just talking about half marathons.) All runners are semi-insane. Fact. Why else would we do this to ourselves? But that beautiful day with the sunshine, the autumn crispness and the breathtaking Cardiff bay was one I will never forget. Surrounded by nothing but blue sky, blue waters and a load of other maniacs was a great moment. Try it next year!

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Crossover Blogging

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If you like silly photos, do check out my latest entry for An Awfully Big Blog Adventure.

Writer In Waiting

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What do writers do when they're not writing? They wait. My second draft is with my agent and soon she will be in touch with feedback. She must be a brilliant agent, because she emailed me today to let me know she'd be in touch soon and she didn't want me to spend the weekend feeling anxious! I could have kissed her for the kindness. But really, after the hard work, I am glad of this period of rest.

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So what have I been doing on the writerly front? First of all, stroking advance copies of the Beast Quest book I recently contributed to. Amictus is published this month. I hope it entertains young boy readers as much as the other books in this ongoing series. Orchard have done a great job of publishing Beast Quest and I think their approach is a template for other publishers on how to handle series fiction.

I've also been reading blogs, including this wonderful entry from a Zimbabwean writer who lives in New Zealand, and is being published in 2011 by Random House UK. (Keeping up?) Andrea blogs beautifully, and her latest entry was a really thought-provoking and inspirational take on the childish and grown-up parts of a writer's brain. Her blog really should encourage every writer to pull their toys back out of the toy cupboard!

The SCBWI-UK have been in touch, and I've agreed to attend their November conference to feed back to writers on extracts from their manuscripts. I can't wait for this event - not only to meet others in the industry, but to hear some fairly spectacular people speak, including Meg Rosoff whose latest novel, The Bride's Farewell, I am currently reading.

Can you remember that I blogged about the SCBWI's Undiscovered Voices competition earlier this year? The results are out! Stand back for the mad scramble of agents knocking on authors' doors. The first Undiscovered Voices anthology, as published last year, was what I think people call a 'slow burn'. It started very quietly. Strong writing came through. Industry professionals began to sit up and take notice. Now editors and agents are crawling all over Undiscovered Voices. I think that with this competition a small group of people have made an incredible difference to the contemporary children's publishing scene. And in a time of recession, that is no mean feat.

trunk-better.jpgAnd finally, I've been mourning. There's a cherry tree at the bottom of my garden and I found out this week that it's become unstable and needs to be cut down. The tree surgeon thinks this beauty is 60-70 years old. I am very sad. I can see in the photos that it is a hairy mad wild thing, but it is my hairy mad wild thing. I've lived in this street for ten years and seen several trees cut down; it's such a shame to say goodbye to another one. But new things can be planted, and I'm sure I shall enjoy watching them grow. If I keep telling myself that, I might start to believe it.

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Shiny Piece Of Coal

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On Wednesday Julia Churchill and I popped along to the ALCS building near Tower Hill to hear Mal Peet speak. Julia is an agent for The Greenhouse Literary Agency and is the recent joint star of a new youtube video. Check it out on their website!

Anyway, when I say 'pop' what I actually mean is drag our behinds through sheets and sheets of rain. What a downpour. I took this photo in Trinity Square and it gives you some sense of the general wetness.

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Mal was present to answer any and all questions on his writing, which threw up some interesting insights into teen fiction. I was trying to scribble things down but my notes are a mess of pink ink, so in no particular order:

It's a mug's game to try to think yourself into the mind of a teenager. Fashions change too quickly to keep up with and there's the danger of condescension. For heaven's sake, don't try to use any teen slang. Just write. To which end...

Mal had some really interesting things to say about the writing style best used for teenagers. He thinks there has to be a certain level of transparency - that readers can see what it is that you're trying to say or get across - but that you also need to make the language interesting. You're not writing a traditional children's book, nor an adult novel that can be as self-indulgent as it likes. You're somewhere in between.

There's room for more risk-taking in writing teen fiction than adult fiction. Adult fiction readers are set in their ways; teenagers are avid and eclectic readers. This frees writers up to shift between styles between books.

I loved Mal's assertion that every writer needs constraints. As he said, 'You can't do a crossword without a grid.' I'll remember this next time I'm trying to make a plot work. 

I would have loved to ask Mal about how he handles writing about sport in fiction and how he plans his writing, but he really did have a lot of questions thrown at him from his enthusiastic audience and an hour flew by. I enjoyed hearing the details of Mal's career: a hard-working writer who literally went out and knocked on publishers' doors. 

Mal didn't say a word about being shortlisted for the Guardian Children's Fiction Prize, which he won the very next evening! I hope he enjoyed his evening of being celebrated by other children's writers, who vote for the prize, and that he had better weather.

A final note about my lovely boyfriend. The two of us were imagining how my agent will react to my second draft. We conjured a horrified conversation she might have with colleagues and Ian came up with this gem: 'I thought Karen was a rough diamond, but she's just a shiny piece of coal!' Boyfriends are so useful for these moments of entertainment.

Compleatly Fantastic

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How many people can claim to have slept in a Black Wooly Bugger? I can. That was the name of the room I stayed in at The Compleat Angler in Marlow, Buckinghamshire this weekend. I spent two days with three other writer friends, thanks to the huge generosity of the person who organised the event. Three cheers to Sara!

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I arrived in Marlow on Friday night and walked across the Thames, dragging my weekend bag past sights such as these. (How did Sara know my current manuscript features the Thames and a rowing club? Excellent research opportunity!) I met my friends in the hotel foyer and 30 minutes later, bags deposited in rooms, we were writing. Sara had drawn up a strict timetable for us. It occasionally slipped, what with our important writerly need to chat and gossip, but loads was achieved. My work over the weekend went more slowly than I would have liked, but still - work was being done. I read through my second draft and tweaked and tweaked and cut and tweaked. If I ever see the word 'glance' in another manuscript of mine ever again, I'll rip each of those letters out of my keyboard one by one. I also never want to see another character turn their back or look into someone's eyes. Ever. Again. 

One of the anecdotes of the weekend was about Jilly Cooper, who once left a handwritten manuscript on a bus, on the way to deliver it to her publisher. It was the only copy and she had to write the whole book again from scratch. 'I could never leave behind a manuscript like that,' someone commented. 'Oh, I could!' I replied. I know myself far too well. When I arrived back in Paddington on Sunday afternoon, I got off the train ... and left my laptop in the luggage rack. With a yelp, I leapt back to retrieve it. I hadn't backed up any of the weekend's work. I don't think I deserve to write, sometimes.

Many thanks to my lovely friends for an unforgettable weekend. I ate Mexican food, drank wine, grazed on chocolate, drank some more wine, and enjoyed many hours of writing. Oh, and for a few moments I dangled Sara's baby from my knee. Fantastic. 

PS I'm currently reading Before I Die by Jenny Downham. I'm nearing the end. If you hear noisy and unseemly sobbing at any point over the next 24 hours, it will probably be me.

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