June 2009 Archives

The Rituals of Writing


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Another chapter is written as I attempt to escape the humidity of London, sitting by an open sash window. As I dutifully re-read the chapter, make a note of the word count and add to the summary list of what each chapter contains, I am struck by how important these rituals are. How they make me feel in control of my writing. Even the 30 minutes spent on the Internet before I begin are part of it. So is the tube of lip salve that I keep by my monitor, the burning of essential oil (geranium), the cup of lemon and ginger tea and the housework that gives me regular reason to step up from my desk and hang the washing out. The latest new habit has been updating my blog. 


Other rituals help, too. I have found cleaning my teeth and riding my bike to be excellent light bulb moments - it's the mindlessness of both activities that seem to spark thought. But the most important routine of all? Emailing the document to myself as back up. I don't know what I'd do if I lost all this writing. Rewriting from scratch is one practice I prefer never to start. 


A Birthday Celebration

My SAS colleagues and I have been excitedly hatching plans to celebrate the first birthday of a very special blog. Come along and join in the fun! Details are below: 

The 10th July is the 1st year Birthday Celebration of the Awfully Big Blog Adventure (ABBA) which is written up by members of the Scattered Authors Society. We hope to make the day a major celebration of children's books and have invited various illustrators, industry professionals and book gurus as well as young readers to add Guest Blogs. Visitors to the site will find interesting comment, as well as competitions to win books and places to add their own birthday wish as well.  Join our Awfully Big Blog Adventure Birthday Celebration on 10th July at:

http://awfullybigblogadventure.blogspot.com/

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Sitting in the Stalls

Last Thursday I went to see the National Theatre's production of Michael Morpurgo's War Horse at the New London Theatre at Drury Lane, where the play has transferred from the South Bank. I haven't read the novel so was looking forward to sitting in the stalls with an entirely open mind. 

My goodness, if ever you want to kill dead a frisson of excitement gaze at the exterior of the New London Theatre. If it wasn't for the posters and school groups letting you know you'd arrived at the right place, you would honestly think you were gawping at a 70s multi-storey car park. Still, no reflection on the play - and when I'd earlier told my colleagues of my evening plans they'd gasped with envy.

Michael's book is on sale in the foyer and my mum promptly bought a copy. It's a tie-in edition with no age range on the back cover and I'm sure is selling several copies with every performance.

So. The play. The cast is huge - a rarity on the London stage these days - and the puppets are amazing. The puppeteers don't try to hide away. Indeed, they are very much part of the production, wearing period costume and being unapologetically visible. As a member of the audience, your attention seems able to shift between the plot, the puppets and the puppeteers with no ill consequences.

The play is a portrait of an early 20th-century Devon boy and his horse, Joey. The boy, Albert, is on the cusp of manhood. The horse joins Albert's farming family and grows from an awkward colt to a faithful stallion. The First World War intervenes - Albert's father sells Joey to the army as an officer's horse and when Albert discovers this betrayal, he joins up as an underage soldier in order to find his friend. 

And so, the horrors of the First World War play out across the stage in choreographed scenes that platform the noble, silent pride of animals. I did wonder how this careful staging compared to the book, which is narrated from Joey's perspective. I may have to steal Mum's copy.

The weekend following was spent with friends and their children, writing and then a hellish run in the heat. But even as I plodded through my six miles, hating every moment, my mind couldn't help picking over the details of my latest manuscript. Crucially, how it's going to end. A final line floated into my mind and it's still lodged there. As I prepare for the SAS's writing retreat in three weeks' time, I wonder if that line will make it into the final draft. But it's there: my last line. It's a start.

Where Have The Walls Gone?

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The great sunshine we're having means that I can set up a temporary office in my back garden. With a sunshade to help me see my screen, and an offcut to act as a desk surface, I have everything I need. The background sound of the neighbour's radio is soothing, butterflies bob over the nasturtiums and Freddie, nextdoor's cat, strolls past surveying his kingdom. All I need to do is write. The writing feels less like work in this environment and much more like a pleasant, relaxed wander through a task I have, after all, set myself. Life is incredibly busy at the moment and a cherished Sunday afternoon in the garden with my laptop is a welcome chance to relax and do what I enjoy.

Meeting, Reading, Crying, Writing

It's all about so much more than the writing... What has been happening lately to inspire me? A&C Black sent me a paperback edition of the compilation, All In The Family, which features one of my short stories. What a nice surprise parcel. Oh, and I received an advance copy of the US edition of Sisters of the Sword, Journey Through Fire, published on 9 June. All that writing seems such a long time ago now! 

What else? Birthday drinks for a friend introduced me to fellow writer, Tim Davis. Tim is a native English speaker, who wrote his first children's manuscript in Turkish - and just happened to have it published! Not bad, for a first attempt. The same evening, I finished reading Meg Rosoff's superb novel, What I Was. This slim, unassuming book is a lesson in restraint and excellence, with dollops of wistful atmosphere and a fantastic twist that I did not see coming, didn't recognise when it was first hinted at, had to be hit over the head with so that I finally understood that things were not all they seemed. Brilliant, brilliant. I was fully happy to indulge in public crying as I finished the book. Care, I did not. 

And today I was glad to hear that I will be contributing to the Scattered Authors Society shared blog. The SAS has been a wonderful community of friendliness and support and I am looking forward to attending their writing retreat next month, when I leave London for four days of writing, relaxation, afternoon napping and hopefully more writing. My first blog entry for the Scattered Authors Society, on  An Awfully Big Blog Adventure, will be on 3 July. Must screw thinking cap firmly on my head, before then. 

August 2009

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